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KOTO BOLOFO

PHOTOGRAPHER + DIRECTOR

Koto Bolofo

The scene he operates in has changed significantly since he came to London in the early 1960s, a political refugee from apartheid South Africa. Inspired by the visual culture of the swinging days of capital, it was in the 1980s that Bolofo really started to break through, shooting editorials for Vanity Fair, Vogue and GQ and campaigns for Hermès, Dior and Louis Vuitton, publishing several photobooks and spending two years documenting his hero, Lord Snowdon.

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Beauty
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Beauty
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Air
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Air
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Air
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'Paper weight'
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Deauville
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Deauville
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Air
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Air
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Love for Art
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Love for Art
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Remember Afrika
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Remember Afrika
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Remember Afrika
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Remember Afrika
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I love using the word “photograph” instead of 'image', 'image' for me is disposable

-Koto Bolofo
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Bon Apetit
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Bon Apetit
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Freye campaign
Freye campaign
Freye campaign
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Levis campaign
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Levis campaign
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GAP campaign
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GAP campaign
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GAP Campaign
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GAP Campaign
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Santoni campaign
Santoni campaign
Santoni campaign
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Fonata campaign
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Fonata campaign
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Jagger campaign
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NIKE campaign
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NIKE campaign
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Hermès - Horses
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Hermès - Horses
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La Maison: Saddles
La Maison: Saddles
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La maison: Kelly bag
La maison: Kelly bag
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La Maison: Ready to wear
La Maison: Ready to wear

The result of a seven-year project, Bolofo’s images showcase the painstaking measures that go into the production of a single Hermès product.

-The Cut
La Maison: Perfume
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La Maison: Perfume
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La Maison: Bugatti
La Maison: Bugatti
La Maison: Perfume
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La Maison: Gardens
La Maison: Gardens

The result of a seven-year project, Bolofo’s images showcase the painstaking measures that go into the production of a single Hermès product.

-The Cut
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'Air' by Koto Bolofo
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'Horsepower' by Koto Bolofo
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'Horsepower' by Koto Bolofo
'Racing Style' by Koto Bolofo
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'Skin' by Koto Bolofo
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'Skin' by Koto Bolofo
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'Venus' by Koto Bolofo
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'Venus' by Koto Bolofo
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Deauville
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Deauville
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Conolly x Goodwood
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Conolly x Goodwood

‘His intimacy with his subjects is something you really feel in his work; he works hard to make a connection with his subjects to get to a level of ease and total openness. You see it in the books he makes, like Dreams and Venus: there is an extraordinary level of trust between photographer and subject.’

-Willemijn van der Zwaan

KOTO BOLOFO