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Matthew Porter
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Matthew Porter

Archipelago

1 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

3 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

4 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

5 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

6 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

7 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

8 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

9 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

10 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

11 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

12 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

13 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

14 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

15 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

16 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

17 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

18 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

19 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

20 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

21 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

22 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

23 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

24 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

25 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

26 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

27 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

28 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

29 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

30 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

31 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
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Matthew Porter

Archipelago

32 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

34 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

38 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

43 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

45 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

46 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

47 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

48 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

52 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

54 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

57 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

58 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Archipelago

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Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

66 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

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Matthew Porter

Archipelago

67 / 67

Archipelago is a journey into an interior, upriver, towards an enigmatic hinterland. At any one instance, Matthew Porter sets up correlations between disparate images, configured on each page like islands in an archipelago, clusters which form their own, indigenous subjects. Short texts, placed at intervals, reveal the connective tissue binding varied subjects – Jane Fonda and the Vietnam War, the Hawaiian Island of Kaua'i and Hollywood. What interests Porter is the legacy of the photographic image, and its capacity to reach across history, to make intelligible to us what we already know, or, encountered at the right moment, that which we could not otherwise know. “Porter’s stills function like portals”, writes Lindsay Caplan, “obliquely suggestive of historical events, modernist styles, and codified genres, sometimes all at the same time… this very contemporary condition in which knowing too much and knowing too little invoke the same visceral state”. More

Matthew Porter
My Gallery
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Matthew Porter

Archipelago

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