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John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
John Torres
By Jon Fosse and Robert Wilson, based on the eponymous Old Norse mythology Robert Wilson's Edda is based on Norwegian playwright Jon Fosse’s interpretation of old Norse mythology, the religion that dominated Scandinavia until the 11th century. The sources for our knowledge about this religion are different Icelandic scholars and authors written poems from medieval time. Fosse read the “Old Edda”- literature and gave it his personal form. He created a dramatic dialogue with strong musical and rhythmic qualities, moving the stories nearer to us while keeping them different and remote. In this production for Oslo's Norske Teatret, Fosse’s fascinating and suggestive text meets the visual language of Robert Wilson.
