CXA

Please update your browser to access Creative Exchange Agency.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

1 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

2 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

3 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

4 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

5 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

6 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

7 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

8 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

9 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

10 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

11 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

12 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

13 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

14 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Saved to My Gallery

Previous Next
Previous My Gallery Next

Kehinde Wiley

The World Stage: China

15 / 15

The World Stage China continues Wiley’s investigation into the blurry divide between urban/highbrow and traditional/contemporary representation. These paintings evolved as a result of an invitation to Wiley to start a studio in Beijing. In his discovery of historic propaganda posters from China’s Cultural Revolution, Wiley found a correlation between the ways in which African American identity has and continues to be manufactured and manipulated by both the media and society, and how Chinese national identity was distorted during the Maoist era.

Kehinde Wiley
My Gallery
Share

Kehinde Wiley

The World Stage: China

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Saved to My Gallery

Share

Facebook Pinterest Twitter Email PDF

To request a PDF, please enter your email address. Once your PDF has been generated, you will receive an email with a download link.

Thank you for your submission. You will receive an email shortly with a download link.

  • Artist Representation
    • Photography
      • Automobile
      • Architecture
      • Beauty
      • Fashion
      • Lifestyle
      • Landscapes
      • Portraits
      • Still Life
    • Art
      • Photography
      • Painting
      • Multimedia
      • Installation
      • Motion
      • Sculpture
    • Design
      • Architecture
      • Art Direction
      • Curation
      • Fashion
      • Light
      • Product
      • Scenography
      • Sound
    • Style
      • Casting Direction
      • Stylists
      • Creative Influencers
    • Film
      • Documentary
      • Fashion
      • Music Video
      • Fine Art
  • CXA+ART
  • Viewing Room
  • the Edition
  • My Gallery
  • About
Subscribe
Follow