Felipe Sanguinetti is an Argentine filmmaker and visual artist whose films uncover the worlds that exist behind creative practice. Working at the intersection of art, architecture, fashion, music, and design, he is drawn to the rituals of making, the landscapes that shape identity, and the quiet gestures through which knowledge is passed from one generation to the next. His observational approach transforms documentary into something more atmospheric and intimate, creating portraits that are as much about place, memory, and time as they are about the people and ideas that shape them.
His work has been commissioned by Chanel, Louis Vuitton, Loro Piana, MCM, and Range Rover, and created in collaboration with institutions including the Guggenheim Foundation, the Royal Opera House, Opéra National de Paris, the Metropolitan Opera, Vogue, NOWNESS, and Cabana. Beginning his career as a landscape and fashion photographer, Sanguinetti has developed a cinematic practice distinguished by its sensitivity to craftsmanship, culture, and the enduring relationship between people and place.
"My approach is not just narrative, but creative: there's a moment in which you recognize something. It's what I always say to my team: we are here to stir emotions."
Created for Cabana’s Spring/Summer 2023 issue, Felipe Sanguinetti’s film celebrates the enduring relationship between craftsmanship, design, and domestic life. Shot at Loro Piana’s historic factory in the foothills of the Piedmont Alps, the documentary offers an intimate look at the artisans, materials, and centuries-old techniques that define one of Italy’s most celebrated luxury houses.
Moving between the landscape, the workshops, and moments of meticulous handcraft, the film reflects a shared devotion to heritage, exceptional making, and the enduring culture of the Italian home. Released alongside Cabana Issue 19, the film extended the editorial narrative beyond the printed page, with stills also featured throughout the publicatio
For Range Rover’s installation ‘Traces’ at Milan Design Week 2026, Sanguinetti directed ‘Memory and Colour,’ the opening chapter of an immersive journey conceived with Storey Studio and NOWNESS. Through a cinematic meditation on memory, place, and identity, the film traces recollections from Sanguinetti’s Argentine upbringing to his life as a creative, each chapter anchored by a distinct hue.
Projected across four walls and multiplied through mirrored reflections, the installation transforms personal memory into a shared sensory experience, introducing Range Rover’s Bespoke philosophy that color is more than a finish – it is an emotional expression of place, individuality, and craftsmanship.
“Sanguinetti’s film traces memories from the director’s Argentine childhood through to his life as a creative in Paris, each one anchored to a distinct chromatic tone.”
Commissioned by NOWNESS to mark MCM’s 50th anniversary, Sanguinetti’s short documentary ‘Formed from Heritage’ follows the creation of a limited-edition porcelain cup produced in collaboration with the historic Porzellan-Manufaktur Nymphenburg.
Filmed inside the Munich workshop, the documentary captures the meticulous handcraft behind one of Europe’s oldest porcelain manufactories, where centuries-old techniques remain unchanged. As artisans shape, fire, and finish each piece by hand, the film explores the shared values of craftsmanship, heritage, and craft that unite the two German houses, showing how tradition continues to inform contemporary design through patience, precision, and material expertise
Produced to mark the 150th anniversary of LOUIS XIII, Sanguinetti’s film documents ‘Being and Time,’ a collaboration between the Maison and Chinese artist Jiang Qiong Er. Through an intimate exploration of craft, ritual, and material, the film reflects on a dialogue between French savoir-faire and contemporary Chinese artistic expression, united by a shared reverence for time and transmission.
Moving between gesture, object, and landscape, Sanguinetti captures the quiet precision behind the collaboration, framing luxury not as spectacle but as the accumulation of knowledge, patience, and exceptional making passed from one generation to the next.
For Fueguia 1833, Sanguinetti explores the vision of founder Julian Bedel, whose concept of ethnobotanical perfumery brings together scientific research, artistic inquiry, and a deep reverence for the natural world. Moving between landscapes, raw materials, and the rituals of fragrance making, the film reveals a practice rooted in material curiosity and environmental stewardship.
More than a portrait of a perfume house, it reveals a philosophy where scent becomes a vessel for memory, place, and emotion, preserving the character of the natural world through exceptional artisanal creation.
For Ai Weiwei’s first collaboration with the historic Italian textile house Rubelli, Sanguinetti directed the original documentary accompanying ‘About Silk,’ one of the landmark installations of Milan Design Week 2026. Filmed between Downing College in Cambridge and Rubelli’s weaving mill in Como, the film follows the evolution of Weiwei’s first work in silk, exploring the dialogue between craftsmanship, political expression, and cultural memory.
Interweaving the artist’s reflections with the meticulous process of transforming his iconic imagery into woven textiles, Sanguinetti’s film extends the exhibition beyond the gallery, revealing the ideas, experimentation, and human exchange behind a collaboration that bridges centuries of textile tradition with contemporary activism.
For Oscar Humphries’ installation at Design Miami/Basel, Sanguinetti directed a short film exploring two of Carlo Mollino’s most significant architectural works – Turin’s Teatro Regio and the enigmatic Casa Mollino. Filmed over two days in the architect’s hometown, the work offers an intimate portrait of Mollino through the spaces he conceived, revealing the theatricality, symbolism, and emotional depth that defined his practice.
Moving quietly through interiors rarely experienced in this way, Sanguinetti’s camera transforms architecture into narrative, inviting viewers to encounter Mollino not only as a legendary designer, but as a visionary architect whose singular imagination continues to resonate today.
“Shot from around corners and through half-opened doors, the visual narrative is atmospheric in its secrecy, just as one would imagine for spaces of Mollino’s.”
Set against the vast plains of Argentina, Sanguinetti’s ‘Gauchos & Patrons’ is a cinematic portrait of a world suspended between myth and reality. Observing the enduring relationship between landowners and horsemen, the film traces a culture shaped by loyalty, labor, and an intimate connection to the land. Through quiet moments of daily ritual and expansive landscapes, Sanguinetti reflects on the traditions passed from one generation to the next, capturing a way of life where identity is carried through gesture, craftsmanship, and shared experience as much as through words.
Created for Louis Vuitton, Sanguinetti’s film follows photographer Alessandra d’Urso as she reflects on ‘For Friends,’ her year-long photographic project documenting the artists, designers, collectors, and collaborators who shape her creative world.
Published by Steidl, the project evolved from a portrait series into a lasting record of a close-knit artistic community. Drawing on d’Urso’s photographs and personal reflections, Sanguinetti explores the role of friendship as a catalyst for artistic exchange, revealing how trust, curiosity, and shared experiences become the foundation for enduring creative relationships.
Released by NOWNESS, Sanguinetti’s ‘Amoris Pomum’ is a poetic meditation on the tomato, narrated by acclaimed Argentine actor Ricardo Darín and inspired by the words of Nobel Prize-winning poet Pablo Neruda.
Moving between landscape, cultivation, and the rituals of preparing and sharing food, the film transforms a humble ingredient into a symbol of memory, identity, and cultural heritage. Blending documentary observation with lyrical imagery, Sanguinetti celebrates the beauty found in everyday rituals, showing how the simplest objects can carry profound emotional and historical meaning.
“The idea was to capture the beauty and realism of nature and its fruits, the relationship between man and Mother Nature, the last of the summer days and, in the intensity of this short film, a part of our Uruguayan experience.”
Created for Maison de la Truffe and released by NOWNESS, Sanguinetti’s film journeys into the forests of Piedmont, where the centuries-old tradition of white truffle hunting continues today. Following truffle hunters and their dogs through the autumn landscape, the documentary reflects on the patience, intuition, and generational knowledge that define the elusive harvest.
More than a portrait of a culinary delicacy, the film becomes a meditation on the enduring relationship between people, nature, and ritual, revealing a tradition whose value lies as much in its preservation as in its rarity.
Created for Cabana Magazine’s ‘Portrait of a Home’ series, Sanguinetti’s film turns the camera toward the Provençal home of renowned photographer François Halard. Long celebrated for documenting some of the world’s most extraordinary interiors, Halard becomes the subject of an intimate portrait, reflecting on the objects, places, and encounters that have shaped his creative life.
Richly layered with art, books, and collected artifacts, his home emerges as an extension of his photographic eye – a deeply personal landscape where memory, beauty, and lived experience converge.
Produced for Art Basel and released by NOWNESS as part of the ‘Inner Worlds’ series, Sanguinetti’s film offers an intimate portrait of Christian Louboutin inside his Paris home.
More than a residence, his Paris home becomes a self-portrait, filled with artworks, objects, and mementos collected over a lifetime of travel, collaboration, and creative discovery. In conversation with Louboutin, the film explores the personal influences that have shaped his distinctive vision, revealing how memory, curiosity, and a passion for shared creation continue to inform one of fashion’s most celebrated designers.
As part of NOWNESS’ ‘Inner Worlds’ series for Art Basel, Sanguinetti’s film offers a study of architect and designer Luis Laplace inside his Paris home and studio.
Set within the spaces where he lives and works, the film explores the personal influences behind his practice, where art, architecture, history, and design exist in continuous dialogue. Surrounded by an eclectic collection of books, artworks, and objects, Laplace reflects on an approach rooted in curiosity rather than convention, showing how each project emerges from the unique character – or ‘DNA’ – of a place.
For NOWNESS’ ‘Private View’ series, Sanguinetti’s film observes painter William MacKinnon in and around his studio in northern Ibiza. Following the artist at work, the documentary explores the instinctive, often unpredictable nature of painting, where each canvas evolves through intuition, uncertainty, and emotional response.
Rather than documenting finished works, Sanguinetti focuses on the creative process itself, capturing the tension between control and spontaneity that defines MacKinnon’s practice. The result is a quiet meditation on artistic creation, revealing painting as an act of continual discovery rather than predetermined intent.
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