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By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More
By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More
By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More
By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More
By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More
By Robert WilsonMusic by Alan Lloyd, Igor Demjen, and othersPerformed by Robert Wilson, Raymond Andrews, Sheryl Sutton and The Byrd Hoffman School of ByrdsFirst performed on December 15, 1970 at the Center for New Performing Arts, Iowa City, IowaSubsequent performances on February 25, 1971 at the Brooklyn Academy of Music, Brooklyn, New York, on April 22, 1971 at the Grand Théâtre de Nancy, Nancy, France, on April 27, 1971 at the Premio Roma Festival, Rome, Italy, on June 11, 1971 at the Théâtre de la Musique, Paris, France, and on July 6, 1971 at the Holland Festival, Amsterdam, Netherlands Inspired in part by Wilson’s important friendship with a deaf boy named Raymond Andrews, whom he adopted as his son, the mostly silent work was constructed of fantastical scenes composed purely of performed images. This was not performance that resulted in images, but images that, essentially, called for performance. More