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Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More
Selected works from the "1986-2016 Remembering Chernobyl" exhibition at the Edwynn Houk Gallery in New York.
Edwynn Houk Gallery was pleased to present an exhibition of more than twenty large-scale photographs by Robert Polidori. Drawn from Polidori’s 2003 monograph, Zones of Exclusion:
Pripyat and Chernobyl, this exhibition highlighted Polidori’s signature display of color in contrast to the desolation and despair left in the wake of one of the largest man-made catastrophes: the nuclear meltdown of 1986 at Chernobyl. An opening reception was held for the artist from 6-8 pm on Thursday, October 26, 2006. Concurrently, an exhibition of Robert Polidori’s New Orleans work entitled After the Flood was held at the Metropolitan Museum of Art from 19 September through 10 December 2006.
Photographing in May 2001, Polidori’s images sing a haunting tale of nuclear aftermath. Set within the forbidding confines of the Chernobyl nuclear facility and the neighboring Pripyat community, Polidori depicts the drab sterility of Soviet architecture drenched in a toxic luminescence. From the epicenter of the catastrophe at Reactor 4, to abandoned school buildings and hospitals in surrounding Pripyat, Polidori captures the ghosts of human habitation in sublime decay. Representing a Ukrainian countryside forever marked by the scars of human progress, Polidori’s photographs suggest the melancholia and loss inflicted by two decade’s worth of sickness and disease. In a stunning rendering of the artifacts of human tragedy, Robert Polidori’s Zones of Exclusion: Pripyat and Chernobyl launches past trauma into a modern dialectic. More