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In his 2006 collaboration with Cereal Art, Kehinde Wiley used the medium of sculpture for the first time to explore the themes of the sacred and the secular associated with the Renaissance and Baroque in his continued analysis on mass media stereotypes about masculinity, race, power and class in Western society. These three busts made of cast marble and resin use Bernini, Carpeaux, and Ingres as their references.
In his 2006 collaboration with Cereal Art, Kehinde Wiley used the medium of sculpture for the first time to explore the themes of the sacred and the secular associated with the Renaissance and Baroque in his continued analysis on mass media stereotypes about masculinity, race, power and class in Western society. These three busts made of cast marble and resin use Bernini, Carpeaux, and Ingres as their references.
In his 2006 collaboration with Cereal Art, Kehinde Wiley used the medium of sculpture for the first time to explore the themes of the sacred and the secular associated with the Renaissance and Baroque in his continued analysis on mass media stereotypes about masculinity, race, power and class in Western society. These three busts made of cast marble and resin use Bernini, Carpeaux, and Ingres as their references.