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‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux. Drawing from geostrophic turbulence patterns, 3D twisted vortex models were created in Rhino. In collaboration with Philip Beesley, thousands of fine white screen-printing mesh layers were numbered and sliced into 3 mm distance, to then cut the zillion layers on the KERN lasercutter with a triangulated grid of chevron-holes. Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Then each layer was embellished by hand with a grid of minuscule transparent chevrons, creating infinitely flexible forms that can expand and contract around the body, like a sensory sea of eb and flow.Show credits: Model: @yuehan_official Collaborating Artist: @philip.beesley Collaborating Light Artist: Paul Friedlander Styling: @patti_wilson Casting: Maida Gregori Boina | @maximevalentini | @cm.casting Show Production: SixUp Paris | N6 Press: Alexandre Malgouyres | @kcdworldwide Video by @blitzkickers Photography: @giostaiano Music direction: @sssalvadorrr | including tracks; @joepbeving & @maartenvos_ - Apophis (Deutsche Grammophon) & @kuedo_ - Bend Moon (Slow Knife - Planet mu Records) Light design: @stefanprokop Choreography: @diekidiek Make up: @chiaolihsu | @macpro Hair: @martincullen65 | @bjornaxen Music direction: @sssalvadorrr Footwear collaboration: @trippen.official ~ More