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For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.
For Spring/Summer 2016 Iris Van Herpen explores the powerful confluence of Nature and architecture. Inspired by the living tree bridges in India, the designer executes a new approach to garment construction, mixing the techniques of cutting, weaving, folding, and growing into a process that transcends the boundaries of traditional clothes-making.Central to the show Gwendoline Christie lies in a deep-time dream, wearing a circular dress which is being woven upon her. The live process blends different techniques - lazer cutting, hand weaving and 3-D printing into one dress, which spreads from the centre, quaquaversal in its geometries.