Please update your browser to access Creative Exchange Agency.
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More
Greg Lauren‘s installation is composed of over 40 pieces of worn-looking garments with a dark color palette ranging from blacks, whites and earth-tones such as sepia, ebony and umber. The garments are made of fine paper manipulated to resemble different fabrics. There is a meticulous care for the details because the creases, wrinkles and folds ironically give the impression that these clothes have been worn down by time. Lauren hand-sews each piece as an attempt to explore not only the process of an artisan, but the garment as a canvas for identity, aspirations and symbolism. The exhibition is composed of iconic men’s wear pieces such as the black tuxedo, white polo, trench coat, plaid shirt and leather motorcycle jacket. More